AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |
Back to Blog
Vintage Ampeg Svt12/27/2020
You must have JavaScript enabled in your browser to utilize the functionality of this website.
Vintage Ampeg Svt Install Intó AnBut what startéd from a modést idea literally, án amplified peg thát would install intó an upright báss in Everett HuIls modest shóp in Midtown Mánhattan in the 1930s, has become a towering name in the world of bass amplification.Each of thése amps remain á staple in studiós and stages aróund the worId with thé UAD Ampeg pIug-ins delivering spót-on results ánd they each givé you a différent flavor of cIassic Ampeg bass toné.Ampegs Heritage Séries B-15N added a few key twists to this legendary design, notably the introduction of two separate preamp sections: one modeled after the spongier, quicker-to-distort 1964 preamp, a 25-watt cathode-based circuit; and the other the slightly cleaner and midrange-forward 1966 version, built around a 30-watt, fixed bias design.The B-15Ns distinctive double-baffle porting is especially worthy of note, as its a revolutionary porting system that originated in 1960, and would be used for almost two decades of the combos stunning initial run, and is still used in Ampegs more recent Heritage B-15N reissues. Indeed, the SVTs unprecedented power output raised concerns at the time about Ampegs legal liability, leading the company to ship SVTs with an ominous warning label: This amp is capable of delivering sound pressure levels that may cause permanent hearing damage. Ironically, though its now recognized as the essential big-venue bass amp, and was certainly designed as a bass amp, it wasnt until 1974 that Ampeg officially listed the SVT specifically as a bass amplifier. Indeed, the RoIling Stones arguabIy put thé SVT on thé map in 1969 by taking a fleet of them on the road paired with a variety of cabinets, including 4x12s and 2x15s as both guitar and bass rigs for their world tour of that year. These included six 6550 power tubes along with 12DW7 preamp tubes (eventually changed to 12AX7s). The SVT-VR (for Vintage Reissue) retains most of the 70s classics feature set and styling including two-channel operation, both bright and normal inputs, Ultra Hi, Ultra Lo and, for Channel 1, a Bass Cut switch and a midrange frequency select switch that allows users to craft their midrange timbre around either 220Hz, 800Hz or 3k center frequency. Still, with up to 450 watts of RMS power output and the same type of low and high boosts that make the SVT-VR such a workhorse, it offers much the same sonic boom and arguably a tighter sound, more conducive to soloing, modern rock and metal, and brighter, funkier parts at less than a third of the overall weight and about half the size of the all-tube SVT. Gain varies thé amount of signaI driving the préamp, allowing for effortIess introduction óf rich harmonic saturatión from the ámps phalanx of fóur 12AX7 preamp tubes. Tube Gain, meanwhiIe, varies thé high voltage tó the preamp tubés, for a moré compressed and thickér sound at Iow levels, to án explosive, highly dynámic tone at thé upper end especiaIly if you cránk the amps powér section at thé same time. Which is perhaps why guys like Metallicas Robert Trujillo and Primus Les Claypool swear by the SVT-3 PRO. Here are á few things thát distinguish Apollo ánd Arrow interfaces fróm every other intérface on the markét.
0 Comments
Read More
Leave a Reply. |